The always-stimulating Futures of Entertainment conference returns after a year’s hiatus. This year it will be held on November 11-12 at MIT’s Gehry-designed Stata Center and will, as always, feature an extraordinary mix of academics and industry professionals on the cutting edge of transformations in entertainment.

I will be moderating a panel on the future of music featuring  Mike King (Berklee School of Music), João Brasil (Brazilian artist), Chuck Fromm (Worship Leader Media), Erin McKeown (musical artist and fellow with the Berkman Center for Internet and Society at Harvard Univeristy),  and final panelist yet to be named from Echonest.

The whole lineup is outstanding, so if you are able to get to Cambridge, MA, be sure to register soon!

{photo of the Stata Center is by Jason Mrachina,aka InspiredinDesMoines on Flickr, cc licensed and available here}

Please distribute widely!

CALL FOR PAPERS

Special Theme Issue of the Journal of Broadcasting & Electronic Media

“Socially-Mediated Publicness”

Guest Editors:

–         Nancy Baym (University of Kansas)

–         danah boyd (Microsoft Research)

Editor: Zizi Papacharissi

Social media call into question conventional understandings of what it means to “be public,” what it means to be “in a public,” and even the meaning of “public” itself. New types of publics are emerging because of the technological affordances of social media and individuals may be more visible than ever before, whether they seek this or not. This special issue will explore these issues.

We seek scholarship from an array of theoretical and methodological perspectives that critically examines how public life is reconfigured because of or in relation to social media.  We welcome articles from diverse fields, including media studies, communication, anthropology, sociology, political theory, critical theory, etc.

Possible topics include, but are not limited to:

·        Processes and practices of building and living in online publics

·        How new technologies of publicness affect celebrities, artists, musicians, and other creators

·        How mediated publics challenge social, political, and economic assumptions

·        The meaning of concepts such as “audience” and “listening” in mediated public spaces

·        How counterpublics and intimate publics are reshaped by technology

·        The relationships between being public and being part of a public

·        Degrees, boundaries, and scales of technologically-mediated publicness

·        How new types of publicness reconfigure identity and race, class, gender, sexuality, religion, and/or nationality

In order to be more public, this special issue of JOBEM will be published as an open-access issue.  All articles will be available online at the point of publication. The anticipated publication date for this issue is September 2012.

Manuscripts should conform to the guidelines of the Journal of Broadcasting & Electronic Media (http://www.beaweb.org/jobem.htm).

By December 12, 2011, you should send a title, abstract, and list of 5 potential reviewers to jobem.publicness@gmail.com to help us streamline the peer review process.

Articles should be submitted no later than January 6, 2012 at:http://mc.manuscriptcentral.com/hbem (select “Special Issue: Socially Mediated Publicness” as a manuscript type).

We know that audiences are engaged in all kinds of practices online that change the ways they relate to one another and to the things they’re into. But how does all that affect the people they’re talking about – and sometimes talking to?

In a keynote talk at Transforming Audiences 3 in London last week, I address that question, drawing on the interviews I’ve been doing with musicians.

As always, the talk is cc licensed for noncommercial use with attribution, so read it, and if you dig it, share it:

2011TransformingAudiences.pdf

I’m still working through this material, so all feedback is welcome.